Monday

Richard and Aaron host a retrospective of the best and funniest moments from the first year of “Fast ‘N’ Loud’. The show spotlights the best car buys, sales, burnouts, visits with Sue, hijinks in the garage, and much more, with an emphasis on never-aired footage, outtakes, and wall-to-wall comedy. Surprise appearances by some of GMG’s most memorable customers add to the fun. But the real star of the show is the Top Five Builds, a salute to the five cars picked by Richard and Aaron as their favorite and most challenging.

When the Golds uncover a series of bogus pawns, their investigation leads to a trusted employee and a confession. Karen handles a tough guy with bad manners, and Seth tries making a deal for a Big Bird with a little kid.

Les and Seth visit a customer with a garage full of amazing vintage cars. Against his kids' wishes, Les offers big money for one of the guy's golden oldies...but can he close the deal? While a male stripper gives Byron the slip, Karen stumbles making a big deal and Ashley forces a customer to kiss a Gremlin for cash.

With Les and Seth away at the Autorama car show, and Ashley in charge of the store, the employees go a little crazy. Karen gets caught putting on a fashion show during store hours, and Bobby J gets called out for being rude to a customer. Seth accuses his sister of being a bad manager, but Ashley gets the last laugh.

When an argument with Seth leaves Ashley in tears, Karen attempts to broker a peace deal. Seth refuses, but Karen's gesture brings her and Ashley closer together. Plus, Bobby J takes a joyride on two-story tractor, and a watch snob finds himself on Seth's bad side.

Ron and Bobby track-down an illegal bounty hunter.

Bobby causes trouble at the police station.

Bobby goes too far.

Ron takes Amy on a second honeymoon.

Producer Bruce Nash ("Most Shocking") is behind this adrenaline-fueled series that features civilians and law enforcement officers in risky, selfless rescue missions. Each one-hour episode presents an account of a rescue effort from the dual perspectives of hero and victim.